https://danielramos.co Daniel Ramos Obregón Wed, 02 Jul 2025 16:23:17 +0000 https://danielramos.co en https://danielramos.co/Index Sun, 27 Feb 2022 19:55:35 +0000 Daniel Ramos Obregón https://danielramos.co/Index https://danielramos.co/Objectifying-a-Queer-Body-THE-HAIR Wed, 02 Jul 2025 16:23:17 +0000 Daniel Ramos Obregón https://danielramos.co/Objectifying-a-Queer-Body-THE-HAIR Objectifying a Queer Body Thinking Through Materiality The (Pink) Hair, The Finger(s), and A Condom 2024 Objectifying a Queer Body Thinking Through Materiality is a research project that originates from my personal experience as a queer body and which expands into thinking about queerness in contemporary western society. I have opened up a dialogue with molds, materials and processes to think metaphorically about the intrinsic relation between bodies and objects. What if I understand objects as bodies, and bodies as objects? Would I find the same values we use to (re)produce objects in contemporary society as we do to (re)produce bodies? Could molds then be understood as the gender norms—the status quo—through which we (re)produce fixed body-objects and identities?Molds are often perceived as static; they don’t allow change, as they are meant to replicate the same shape over and over. I take on molds less as tools but as subjects themselves and collaborators with whom to speculate and reflect with. The project unfolds through three distinct explorations—The Hair, The Finger(s), and A Condom—each using material and form to reflect on how identity is shaped, contained, or undone. By putting molds into conversation with queerness, the work examines the tensions between bodies and the structures that seek to fix them. You can read more about the project in the research text here. The (Pink) Hair <img width="1613" height="1075" width_o="1613" height_o="1075" data-src="https://freight.cargo.site/t/original/i/835ae7a840f6193e20c48a8b0cd98f291faf14915e316b355d6e82a68994e6c9/Hair.jpg" data-mid="235320086" border="0" src="https://freight.cargo.site/w/1000/i/835ae7a840f6193e20c48a8b0cd98f291faf14915e316b355d6e82a68994e6c9/Hair.jpg" /> https://danielramos.co/Objectifying-a-Queer-Body-THE-FINGER-S Wed, 02 Jul 2025 16:17:37 +0000 Daniel Ramos Obregón https://danielramos.co/Objectifying-a-Queer-Body-THE-FINGER-S Objectifying a Queer Body Thinking Through Materiality The (Pink) Hair, The Finger(s), and A Condom 2024 Objectifying a Queer Body Thinking Through Materiality is a research project that originates from my personal experience as a queer body and which expands into thinking about queerness in contemporary western society. I have opened up a dialogue with molds, materials and processes to think metaphorically about the intrinsic relation between bodies and objects. What if I understand objects as bodies, and bodies as objects? Would I find the same values we use to (re)produce objects in contemporary society as we do to (re)produce bodies? Could molds then be understood as the gender norms—the status quo—through which we (re)produce fixed body-objects and identities?Molds are often perceived as static; they don’t allow change, as they are meant to replicate the same shape over and over. I take on molds less as tools but as subjects themselves and collaborators with whom to speculate and reflect with. The project unfolds through three distinct explorations—The Hair, The Finger(s), and A Condom—each using material and form to reflect on how identity is shaped, contained, or undone. By putting molds into conversation with queerness, the work examines the tensions between bodies and the structures that seek to fix them. You can read more about the project in the research text here. The Finger(s)1. THUMB <img width="691" height="968" width_o="691" height_o="968" data-src="https://freight.cargo.site/t/original/i/daaac25e925e5129df73ce47f221717e22bc44695d35d28e1be9bf1ee6ac844e/Thumb2.jpg" data-mid="235319575" border="0" src="https://freight.cargo.site/w/691/i/daaac25e925e5129df73ce47f221717e22bc44695d35d28e1be9bf1ee6ac844e/Thumb2.jpg" /> <img width="750" height="1051" width_o="750" height_o="1051" data-src="https://freight.cargo.site/t/original/i/fb513d8431d8fd82c162ed583ecb9b4b25ced2ee0a58329290831d3dfe7f2313/Thumb1.jpg" data-mid="235319574" border="0" src="https://freight.cargo.site/w/750/i/fb513d8431d8fd82c162ed583ecb9b4b25ced2ee0a58329290831d3dfe7f2313/Thumb1.jpg" /> 2. INDEX <img width="718" height="1006" width_o="718" height_o="1006" data-src="https://freight.cargo.site/t/original/i/f51c7c163dd2be42bacab065da81bb945ef9438bf34e3d61dd39b7a95ff1c272/Index1.jpg" data-mid="235319579" border="0" src="https://freight.cargo.site/w/718/i/f51c7c163dd2be42bacab065da81bb945ef9438bf34e3d61dd39b7a95ff1c272/Index1.jpg" /><img width="727" height="1018" width_o="727" height_o="1018" data-src="https://freight.cargo.site/t/original/i/be02b49b0c6539f29cc0f3247dd40aa6616ecd122a494cec1f5010ef1dd3f17e/Index3.jpg" data-mid="235319581" border="0" src="https://freight.cargo.site/w/727/i/be02b49b0c6539f29cc0f3247dd40aa6616ecd122a494cec1f5010ef1dd3f17e/Index3.jpg" /> <img width="839" height="1174" width_o="839" height_o="1174" data-src="https://freight.cargo.site/t/original/i/9c18437d9d6beb097081b66836fe6dafa830d0db3371eca1f661c912b703aa37/Index2.jpg" data-mid="235319580" border="0" src="https://freight.cargo.site/w/839/i/9c18437d9d6beb097081b66836fe6dafa830d0db3371eca1f661c912b703aa37/Index2.jpg" /><img width="1155" height="825" width_o="1155" height_o="825" data-src="https://freight.cargo.site/t/original/i/9431930dc6e084d4c93b9ede85372c35c34128aef1ccfa71a396875128352879/Index5.jpg" data-mid="235319583" border="0" src="https://freight.cargo.site/w/1000/i/9431930dc6e084d4c93b9ede85372c35c34128aef1ccfa71a396875128352879/Index5.jpg" /><img width="574" height="803" width_o="574" height_o="803" data-src="https://freight.cargo.site/t/original/i/ec5cf2ec1f99d1e1e97c548ab02b2c9ce4589c0de4be7b3797a4659f814e0e08/Index4.jpg" data-mid="235319582" border="0" src="https://freight.cargo.site/w/574/i/ec5cf2ec1f99d1e1e97c548ab02b2c9ce4589c0de4be7b3797a4659f814e0e08/Index4.jpg" /> 3. HEART (MIDDLE) <img width="773" height="1082" width_o="773" height_o="1082" data-src="https://freight.cargo.site/t/original/i/a68bcf6d65c8b5cd4e1b9281a687d39660a5dcde6248418c2b3b3a2f0278ec54/Heart1.jpg" data-mid="235319576" border="0" src="https://freight.cargo.site/w/773/i/a68bcf6d65c8b5cd4e1b9281a687d39660a5dcde6248418c2b3b3a2f0278ec54/Heart1.jpg" /> <img width="802" height="1123" width_o="802" height_o="1123" data-src="https://freight.cargo.site/t/original/i/adf9bc75a143ce3305a1bb3a5355325e67571873df5a512bde0d6fcb5933cb41/Heart2.jpg" data-mid="235319577" border="0" src="https://freight.cargo.site/w/802/i/adf9bc75a143ce3305a1bb3a5355325e67571873df5a512bde0d6fcb5933cb41/Heart2.jpg" /> <img width="760" height="1064" width_o="760" height_o="1064" data-src="https://freight.cargo.site/t/original/i/43d06d168904a20493167c4ee12f1d094eab43c8e03db10de332be4984ae9943/Heart3.jpg" data-mid="235319578" border="0" src="https://freight.cargo.site/w/760/i/43d06d168904a20493167c4ee12f1d094eab43c8e03db10de332be4984ae9943/Heart3.jpg" /> 4. RING <img width="798" height="1117" width_o="798" height_o="1117" data-src="https://freight.cargo.site/t/original/i/9959f0b1ecb8ce8ae78eee597dbffe624695ed7956b84745c9fe72904bae23df/Ring2.jpg" data-mid="235319585" border="0" src="https://freight.cargo.site/w/798/i/9959f0b1ecb8ce8ae78eee597dbffe624695ed7956b84745c9fe72904bae23df/Ring2.jpg" /><img width="592" height="829" width_o="592" height_o="829" data-src="https://freight.cargo.site/t/original/i/e62ab3aa918314147eca77b8685a6102e9de2e051f721a2baae7d098011bf1fb/Ring3.jpg" data-mid="235319586" border="0" src="https://freight.cargo.site/w/592/i/e62ab3aa918314147eca77b8685a6102e9de2e051f721a2baae7d098011bf1fb/Ring3.jpg" /> <img width="826" height="1157" width_o="826" height_o="1157" data-src="https://freight.cargo.site/t/original/i/b5da75e86de679bb87ad0f7cbd2dc56ed49cc2fa499370f17cf44bddcebb7469/Ring1.jpg" data-mid="235319584" border="0" src="https://freight.cargo.site/w/826/i/b5da75e86de679bb87ad0f7cbd2dc56ed49cc2fa499370f17cf44bddcebb7469/Ring1.jpg" /> 5. PINKY <img width="3497" height="4895" width_o="3497" height_o="4895" data-src="https://freight.cargo.site/t/original/i/4121b03f625cb302a2402841717c6207973ca70aac8dfeb361548a975d2134c4/Pinky2.jpg" data-mid="235319589" border="0" src="https://freight.cargo.site/w/1000/i/4121b03f625cb302a2402841717c6207973ca70aac8dfeb361548a975d2134c4/Pinky2.jpg" /><img width="593" height="829" width_o="593" height_o="829" data-src="https://freight.cargo.site/t/original/i/e6e7db8c6c175cf6cd8ea498289df11f99a634ad61c4771b40c0291b52f275b1/Pinky3.jpg" data-mid="235319590" border="0" src="https://freight.cargo.site/w/593/i/e6e7db8c6c175cf6cd8ea498289df11f99a634ad61c4771b40c0291b52f275b1/Pinky3.jpg" /> <img width="739" height="1035" width_o="739" height_o="1035" data-src="https://freight.cargo.site/t/original/i/20f2f670c25814cae35e760701d25326bfd5d29eeb45d582beb6e8c9ede248de/Pinky1.jpg" data-mid="235319588" border="0" src="https://freight.cargo.site/w/739/i/20f2f670c25814cae35e760701d25326bfd5d29eeb45d582beb6e8c9ede248de/Pinky1.jpg" /> https://danielramos.co/Objectifying-a-Queer-Body-A-CONDOM Wed, 02 Jul 2025 16:18:56 +0000 Daniel Ramos Obregón https://danielramos.co/Objectifying-a-Queer-Body-A-CONDOM Objectifying a Queer Body Thinking Through Materiality The (Pink) Hair, The Finger(s), and A Condom 2024 Objectifying a Queer Body Thinking Through Materiality is a research project that originates from my personal experience as a queer body and which expands into thinking about queerness in contemporary western society. I have opened up a dialogue with molds, materials and processes to think metaphorically about the intrinsic relation between bodies and objects. What if I understand objects as bodies, and bodies as objects? Would I find the same values we use to (re)produce objects in contemporary society as we do to (re)produce bodies? Could molds then be understood as the gender norms—the status quo—through which we (re)produce fixed body-objects and identities?Molds are often perceived as static; they don’t allow change, as they are meant to replicate the same shape over and over. I take on molds less as tools but as subjects themselves and collaborators with whom to speculate and reflect with. The project unfolds through three distinct explorations—The Hair, The Finger(s), and A Condom—each using material and form to reflect on how identity is shaped, contained, or undone. By putting molds into conversation with queerness, the work examines the tensions between bodies and the structures that seek to fix them. You can read more about the project in the research text here. A Condom <img width="1161" height="829" width_o="1161" height_o="829" data-src="https://freight.cargo.site/t/original/i/0c4f44d968c2ecd050b4c16a20b406262ba99e427b37e35a041cd8a32af16203/Condom1.jpg" data-mid="235319977" border="0" src="https://freight.cargo.site/w/1000/i/0c4f44d968c2ecd050b4c16a20b406262ba99e427b37e35a041cd8a32af16203/Condom1.jpg" /> <img width="829" height="1161" width_o="829" height_o="1161" data-src="https://freight.cargo.site/t/original/i/f44c02fbe37702ff99f6ebc122cc605fc054b68aaa341d6f50a3c45e82d20155/Condom3.jpg" data-mid="235319979" border="0" data-scale="100" src="https://freight.cargo.site/w/829/i/f44c02fbe37702ff99f6ebc122cc605fc054b68aaa341d6f50a3c45e82d20155/Condom3.jpg" /><img width="1119" height="799" width_o="1119" height_o="799" data-src="https://freight.cargo.site/t/original/i/b2ee4a28704aecf645e22785b0e0c502969df92d849feceef95a22649f65a8d0/Condom4.jpg" data-mid="235319980" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b2ee4a28704aecf645e22785b0e0c502969df92d849feceef95a22649f65a8d0/Condom4.jpg" /> A Refill of Condoms <img width="981" height="1472" width_o="981" height_o="1472" data-src="https://freight.cargo.site/t/original/i/e35f52825656ae5e8a95389a46c9cd6a9c01dca233b523388e33b395b05e8ea3/Condom10.jpg" data-mid="235320126" border="0" data-scale="100" src="https://freight.cargo.site/w/981/i/e35f52825656ae5e8a95389a46c9cd6a9c01dca233b523388e33b395b05e8ea3/Condom10.jpg" /> <img width="1365" height="910" width_o="1365" height_o="910" data-src="https://freight.cargo.site/t/original/i/15b879401795a6a0bdd055f967a71eccae9a36d52423b5c2f470ea185548a602/Condom5.jpg" data-mid="235320121" border="0" src="https://freight.cargo.site/w/1000/i/15b879401795a6a0bdd055f967a71eccae9a36d52423b5c2f470ea185548a602/Condom5.jpg" /> https://danielramos.co/in-the-making Wed, 29 May 2024 20:57:57 +0000 Daniel Ramos Obregón https://danielramos.co/in-the-making in the making: the crack that lets the light shine in 2024 This publication is a result of the course Research Lab at Konstfack University of Arts, Crafts and Design, Stockholm. Research Lab is a focused, one-year postgraduate course aimed at craft professionals. Authors: Anne-Marie Dehon, Bogil Lee, Daniel Ramos Obregón, Davide Ronco, Erik Lindeborg, Henny Linn KjellbergContributors: Maja Gunn, matt lambertEditor: Adriane Dalton Published by: Konstfack University of Arts, Crafts and DesignISBN 978-91-85549-58-0Printed by Grafiche AntigaGraphic Design &amp; Art Direction: Nicolò Pellarin Funded by Estrid Ericsons Stiftelse, Konstfack University of Arts, Crafts and DesignThe publication is available digitally here or in hard copy at selected locations or by contacting the authors. <img width="666" height="1000" width_o="666" height_o="1000" data-src="https://freight.cargo.site/t/original/i/99dd3b0cb9798c044a48de85c0f84599f78212e7a34ff7fee191517bd69326f7/inthemaking02.jpg" data-mid="211966690" border="0" data-scale="100" src="https://freight.cargo.site/w/666/i/99dd3b0cb9798c044a48de85c0f84599f78212e7a34ff7fee191517bd69326f7/inthemaking02.jpg" /> <img width="666" height="1000" width_o="666" height_o="1000" data-src="https://freight.cargo.site/t/original/i/0914c6d69653a3de6083f7375475a63f492f4a39281a7e0ae29342bad314cc7d/inthemaking01.jpg" data-mid="211966684" border="0" data-scale="100" src="https://freight.cargo.site/w/666/i/0914c6d69653a3de6083f7375475a63f492f4a39281a7e0ae29342bad314cc7d/inthemaking01.jpg" /> https://danielramos.co/Becoming-Oneself Sun, 27 Feb 2022 19:55:35 +0000 Daniel Ramos Obregón https://danielramos.co/Becoming-Oneself Becoming Oneself 2022 The project takes on drag transformation as a center point to explore the concept of metamorphosis. A constant state of becoming were objects, tools, make-up, and clothes take agency over the body and catalyze its transfiguration. The video addressess the existing parallel between the physical changes and the emotional journey that one goes through in the process; shorter and faster body changes that feed into a slower and prolonged internal growth, and vice versa. The process is dissected into three stages: (to) UN-MAKE, (to) MAKE-UP and (to) RE-MAKE (oneself), that correspond to the preparation, the transformation in itself, and the re-birth into a new “old self”, ready to start all over again. Filming: Epigrama Studios Editing: Andrés Salazar Biermann https://danielramos.co/Confluencia Sun, 27 Feb 2022 19:55:36 +0000 Daniel Ramos Obregón https://danielramos.co/Confluencia Confluencia 2021 Confluencia is the result of my time during Taller en Identidad, a design residency directed by Francisco Jaramillo (Fango) in Medellín, Colombia. Three pieces where different materials, techniques, people and craft traditions converge to showcase a multiplicity of identities. The project takes off from an interest of mine to learn about Colombian ancestral ceramic tradition La Chamba to then mix them with traditional basketry techniques from Tolima and Vichada regions –which I translated to leather– and wood carving. The monochromatic pieces celebrate the identity of the Chamba clay process in its three stages: the yellow one in its raw state, the red one with its slip-coat preparation state, and the black in its iconic fired state. Special thanks to: Vicky, Natalia, Jose, Laura, Yecid Robayo and&nbsp;Margarita Echavarria&nbsp; Mentoring by: Dach &amp; Zephir Photos by: Juan Silva <img width="1974" height="1310" width_o="1974" height_o="1310" data-src="https://freight.cargo.site/t/original/i/de06ef0e9e5d2f22a7750b1586b63aa508d75d9d3e03c6e70451c9062cfbe846/Confluencia2.png" data-mid="134824254" border="0" src="https://freight.cargo.site/w/1000/i/de06ef0e9e5d2f22a7750b1586b63aa508d75d9d3e03c6e70451c9062cfbe846/Confluencia2.png" /> <img width="1063" height="1596" width_o="1063" height_o="1596" data-src="https://freight.cargo.site/t/original/i/073bfda727b4450b5636e4bd21481110e361df8495b1c47925a04e13529f516e/ConfluenciaAmarilla1.png" data-mid="134824378" border="0" src="https://freight.cargo.site/w/1000/i/073bfda727b4450b5636e4bd21481110e361df8495b1c47925a04e13529f516e/ConfluenciaAmarilla1.png" />AMARILLA (Yellow)Earthenware, leather, wood <img width="1062" height="1600" width_o="1062" height_o="1600" data-src="https://freight.cargo.site/t/original/i/4181d2b29a8c412455430c9500efebd442ec26721149aa90b497dcf5b9f372e6/ConfluenciaRoja1.png" data-mid="134824400" border="0" src="https://freight.cargo.site/w/1000/i/4181d2b29a8c412455430c9500efebd442ec26721149aa90b497dcf5b9f372e6/ConfluenciaRoja1.png" />ROJA (Red)Earthenware, leather, wood <img width="1064" height="1600" width_o="1064" height_o="1600" data-src="https://freight.cargo.site/t/original/i/36299ea88b5ddb706a408e3ec7656fbb3ec8406744eb0a0450ac72ddc44f69a3/ConfluenciaNegra1.png" data-mid="134824404" border="0" src="https://freight.cargo.site/w/1000/i/36299ea88b5ddb706a408e3ec7656fbb3ec8406744eb0a0450ac72ddc44f69a3/ConfluenciaNegra1.png" /> <img width="1063" height="1599" width_o="1063" height_o="1599" data-src="https://freight.cargo.site/t/original/i/d2d69f400f92e897c13faba516d97bb4b90b1e816568fdfcf97514016d74778c/ConfluenciaNegra2.png" data-mid="134824405" border="0" src="https://freight.cargo.site/w/1000/i/d2d69f400f92e897c13faba516d97bb4b90b1e816568fdfcf97514016d74778c/ConfluenciaNegra2.png" />NEGRA (Black)Earthenware, leather, wood https://danielramos.co/Abrazando-el-Miedo Sun, 27 Feb 2022 19:55:36 +0000 Daniel Ramos Obregón https://danielramos.co/Abrazando-el-Miedo Abrazando el miedo 2021 ‘Abrazando el miedo’ is a piece about acknowledging fear as a protection mechanism. It gathers shaven beard hair I collected for over two years to use as an offer to conjure it. This primal instinct that often clenches our hands and body, and paralyzes us, has the same power to push us, to make us react, and help us thrive. The piece invites us to navigate through fear instead of to avoid it. To listen to it, to understand it, to tune in with it and to work with it. It makes a connection to our heart by forcing us to open our left hand and reach out to it. <img width="1340" height="888" width_o="1340" height_o="888" data-src="https://freight.cargo.site/t/original/i/ec996192035795bc1bcf6afb6ac0f51ff26d6ae9cdd6306682c4cff48a9db644/Screen-Shot-2021-09-06-at-1.08.42-PM_1340_c.png" data-mid="134810524" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/ec996192035795bc1bcf6afb6ac0f51ff26d6ae9cdd6306682c4cff48a9db644/Screen-Shot-2021-09-06-at-1.08.42-PM_1340_c.png" /> Hand piece Human hair, resin, silver https://danielramos.co/CENSOR-ME-NOT Sun, 27 Feb 2022 19:55:36 +0000 Daniel Ramos Obregón https://danielramos.co/CENSOR-ME-NOT ¡CENSOR ME NOT! 2019 The project addresses gender inequality issues at a global-scale by sectioning the nipples out of the body. In them, we see different types of cultural devices that violently determine the way bodies are allowed to transit, or not, in the world. The necklace, denounces the constant censorship that female bodies receive on social media in contrast to male bodies’ freedoms. The brooch, celebrates feminist movements’ resistance in questioning the way moral values seek to control, and barely tolerate, the beauty of a naked nursing breast. And finally, the nipple piercing-tassels, showcase a sarcastic response to these censorship issues by appropriating male nipple privileges as an adaptability mechanism to achieve a –partial– female torso nudity.&nbsp; Photos by: Julian Camargo <img width="1340" height="1336" width_o="1340" height_o="1336" data-src="https://freight.cargo.site/t/original/i/3a87d86e0ac0d4212ed4265c85b3a899ecf8d404d15eef8ad2a4f323e70eaafb/Screen-Shot-2021-09-06-at-9.57.39-PM_1340_c.png" data-mid="134820142" border="0" src="https://freight.cargo.site/w/1000/i/3a87d86e0ac0d4212ed4265c85b3a899ecf8d404d15eef8ad2a4f323e70eaafb/Screen-Shot-2021-09-06-at-9.57.39-PM_1340_c.png" /> <img width="1340" height="1340" width_o="1340" height_o="1340" data-src="https://freight.cargo.site/t/original/i/411e0636313e629acc1d2e75dfeb08b1c67b68818235df1d26e217e9965c1b3f/Screen-Shot-2021-09-06-at-10.00.35-PM_1340_c.png" data-mid="134820144" border="0" src="https://freight.cargo.site/w/1000/i/411e0636313e629acc1d2e75dfeb08b1c67b68818235df1d26e217e9965c1b3f/Screen-Shot-2021-09-06-at-10.00.35-PM_1340_c.png" />Censorship DeviceNecklaceStoneware, silver, nylon, multi-lens array <img width="1340" height="1340" width_o="1340" height_o="1340" data-src="https://freight.cargo.site/t/original/i/2fe2449ec0cd3170992fe5beb5c9dc00ab58d60915f8a03572fef63b7ba4e54d/Screen-Shot-2021-09-06-at-10.01.07-PM_1340_c.png" data-mid="134820145" border="0" src="https://freight.cargo.site/w/1000/i/2fe2449ec0cd3170992fe5beb5c9dc00ab58d60915f8a03572fef63b7ba4e54d/Screen-Shot-2021-09-06-at-10.01.07-PM_1340_c.png" />Adaptability DeviceNipple piercing tasselsStoneware, silver, steel <img width="1340" height="1340" width_o="1340" height_o="1340" data-src="https://freight.cargo.site/t/original/i/fe7cea6cf6484a38692489d78c1331f293674c1cfeeea492a41fc757bbe4ce7b/Screen-Shot-2021-09-06-at-10.00.59-PM_1340_c.png" data-mid="134820143" border="0" src="https://freight.cargo.site/w/1000/i/fe7cea6cf6484a38692489d78c1331f293674c1cfeeea492a41fc757bbe4ce7b/Screen-Shot-2021-09-06-at-10.00.59-PM_1340_c.png" /> <img width="1340" height="1340" width_o="1340" height_o="1340" data-src="https://freight.cargo.site/t/original/i/00a64086a26277505f16635f640c2d10223a58f668b70f3aa0c9d26b9b7934bb/Screen-Shot-2021-09-06-at-10.01.16-PM_1340_c.png" data-mid="134820146" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/00a64086a26277505f16635f640c2d10223a58f668b70f3aa0c9d26b9b7934bb/Screen-Shot-2021-09-06-at-10.01.16-PM_1340_c.png" /> Resistance DeviceBroochStoneware, silver, steel, glass https://danielramos.co/Why-What-Who Sun, 27 Feb 2022 19:55:37 +0000 Daniel Ramos Obregón https://danielramos.co/Why-What-Who Entre Fronteras 2019 Speculative objects between the Argentinian Mate and the Colombian Poporo. Commissioned work in collaboration with Juliana García Bello for the Why-What-Who exhibition at the Museo Nacional de Arte Decorativo in Buenos Aires, Argentina (2019). Photos by: Gonzalo Valenzuela <img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/583bcc33e7ddd51a059678a38d030f51edbe262f272af7492ea575241e1de94b/1_1000.jpg" data-mid="134821749" border="0" src="https://freight.cargo.site/w/1000/i/583bcc33e7ddd51a059678a38d030f51edbe262f272af7492ea575241e1de94b/1_1000.jpg" />